NewsEmily Orchard3 min read
Juan Atkins, the Detroit producer who gave techno its name, has died aged 64
The Cybotron and Model 500 founder, one of the Belleville Three, died in Mexico City on 31 October, just before a scheduled set. His management has confirmed his death.

Photo: Angie Linder / CC BY-SA 2.0 via Wikimedia Commons
Juan Atkins, the Detroit producer widely called the originator of techno, has died at the age of 64. His management company confirmed his death on 1 November 2026. He was in Mexico City, where he was due to play a club set on the night of Saturday 31 October. No cause of death has been officially given.
For anyone meeting the name for the first time: Atkins is one of the founding figures of electronic dance music. Born in Detroit in 1962, he was part of the Belleville Three, the trio of high-school friends from the suburb of Belleville, Michigan, completed by Derrick May and Kevin Saunderson, who together shaped what the world now calls techno.
Cybotron, Model 500 and a genre with a name
In 1980 Atkins formed Cybotron with Rik Davis. Their 1983 debut album, Enter, carried "Alleys of Your Mind" and "Clear", records that fused Kraftwerk-style synthesisers with funk and a Detroit sense of a city rebuilding itself on machines. Atkins then went solo as Model 500, and "No UFO's" in 1985 became one of the founding records of the sound.
In 1985 he also launched the Metroplex label, which put out early Detroit techno, including Saunderson's first records. His 1988 track "Techno Music" helped fix the name of the genre, and he is widely credited with first using the word in this sense. Club music in Berlin, London, Chicago, Johannesburg and Mumbai still runs on what that circle built.
The tributes
Saunderson posted on social media on Sunday 1 November that his brother Juan Atkins had passed away. In the same post he called Atkins the originator of techno and a visionary who opened the door for many producers, himself included.
Atkins kept touring and releasing into his sixties. In earlier interviews he has said he preferred pushing new ideas to replaying old Cybotron material, and that he enjoyed technology without wanting people to turn into "total robots". The Mexico City date was one more stop on a career that never really left the road.
Where to start
If you want a way in, play the records below, then work outward to the rest of the Detroit catalogue.
- Cybotron, "Clear" (1983): the cold, funky blueprint.
- Model 500, "No UFO's" (1985): the track that set the template for Detroit techno.
- Model 500, "Techno Music" (1988): the record that gave the genre its name.
More from the scene on ADMC: our Club Night coverage.
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